Celebrate Britain’s Genre Studio Icon This August at Gateway Film Center

The ultimate Hammer Film celebration arrives at the Film Center this August.

. Founded in November 1934, Hammer Film Productions is one of the oldest film companies in the world and is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels.

As an added Friday, August 13 bonus, the Film Center will offer a one-night only “Modern Hammer” presentation, featuring Let Me In (2010) from filmmaker Matt Reeves and the 2019 chiller The Lodge (2019) from co-directors Severin Fiala and Veronika Franz.

Don’t miss your chance to experience these masterpieces on the big screen!

Screening every day at 7:00PM with a 2PM matinee on Friday, Saturday and Sunday.


Horror of Dracula (1958)—Aug 1-3

From Director Terence Fisher. See full details here.


Taste the Blood of Dracula (1970)—Aug 4-6

From Director Peter Sasdy. See full details here.


Captain Kronos: Vampire Hunter (1974)—Aug 7-9

From Director Brian Clemens. See full details here.


The Revenge of Frankenstein (1958)—Aug 10-12

From Director Terence Fisher. See full details here.


Let Me In (2010)—Aug 13

One night only! From Director Matt Reeves. See full details here.


The Lodge (2019)—Aug 13

One night only! From Directors Severin Fiala and Veronika Franz. See full details here.


The Curse of Frankenstein (1959)—Aug 14-16

From Director Terence Fisher. See full details here.


Frankenstein Must Be Destroyed (1969)—Aug 17-19

Screening in 35mm. From Director Terence Fisher. See full details here.


The Mummy (1959)—Aug 20-22

From Director Terence Fisher. See full details here.


The Two Faces of Dr. Jekyll (1960)—Aug 23-25

From Director Terence Fisher. See full details here.


The Vampire Lovers (1970)—Aug 26-28

Screening in 35mm. From Director Roy Ward Baker. See full details here.


Twins of Evil (1971)—Aug 29-31

Screening in 35mm. From Director John Hough. See full details here.


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